A foundational guide to practice-related research in the arts. This book offers definitions and a brief background to practice-based research in the arts, contextualization of practice-based methods, a step-by-step approach to designing research projects, chapter summaries, examples of practice-related research, exercises for progressing methods design and evaluating research approach, and lists for further reading. This textbook can serve as the foundation for a wider, online "living" textbook for practice-related research in the arts.

A multidisciplinary study of pattern and chaos. This book explores critical and visual practices through the lens of interactions and intersections between pattern and chaos. The interrelationship between pattern and chaos challenges disciplinary boundaries, critical frameworks, and modes of understanding, perception, and communication. Drawing on fields such as visual culture, sociology, physics, neurobiology, linguistics, and critical theory, contributors to this volume explore the results of experiments with pattern and chaos-related forms, processes, materials, sounds, and language. The result is a bracing, wide-ranging examination of a central dynamic in the making and understanding of art.  

In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world's defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite--all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as "global contemporary art," Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today.

With a distinctive theoretical framework combining Aristotle, Marx, and Alasdair MacIntyre, the essays in this volume ask how forms of artificial intelligence and technologies of automation in digital capitalism affect human flourishing, and what meaningful work looks like under these conditions. As technology advances, how do we decide what activities should be automated? Is the end of work through automation actually desirable? If a good life is the life of activity employing our rational, imaginative, and creative powers, what does it mean to say that future societies will be post-work societies? Rather than simply embracing the possibilities of automation to eliminate work, this collection considers that meaningful work is integral to the good life. Human Flourishing in the Age of Digital Capitalism contains eight essays from scholars in the UK, Europe and USA, reflecting on the philosophical and ethical dimensions of technology and political theory. Contributions cover topics such as algorithmic management, the feared 'superintelligence' of machines, the concept of good work, and the alienating consequences of technology for workers. This timely and novel intervention in the automation debate will be of interest to anyone considering new technologies from the perspective of normative ethics and the critique of political economy.