Women's History Month

Extra Bold is the inclusive, practical, and informative (design) career guide for everyone! Part textbook and part comic book, zine, manifesto, survival guide, and self-help manual, Extra Bold is filled with stories and ideas that don't show up in other career books or design overviews. * Both pragmatic and inquisitive, the book explores power structures in the workplace and how to navigate them. * Interviews showcase people at different stages of their careers. * Biographical sketches explore individuals marginalized by sexism, racism, and ableism. * Practical guides cover everything from starting out, to wage gaps, coming out at work, cover letters, mentoring, and more. A new take on the design canon. * Opens with critical essays that rethink design principles and practices through theories of feminism, anti-racism, inclusion, and nonbinary thinking. * Features interviews, essays, typefaces, and projects from dozens of contributors with a variety of racial and ethnic backgrounds, abilities, gender identities, and positions of economic and social privilege. * Adds new voices to the dominant design canon. Written collaboratively by a diverse team of authors, with original, handcrafted illustrations by Jennifer Tobias that bring warmth, happiness, humor, and narrative depth to the book.

From architects and product designers to textile artists and digital innovators, Women Design profiles a selection of dynamic female designers from the modern era, showcasing their finest work and celebrating their enduring influence.

Why do women architects still not receive the recognition their work deserves? Women in Architecture is a manifesto for the great achievements of women in architecture. The voices of thirty-six internationally active women architects are heard through their own projects. This diverse panorama is supplemented by essays on pioneering female architects, and analyses that get to the bottom of the structural discrimination against women architects.

This timely book celebrates the inspirational achievements of women architects in every corner of the world. Historically, women architects were disappointingly absent in the news and at awards ceremonies, but now they are spearheading some of the most exciting and important projects in every corner of the globe. These profiles of fifty female architects bring to light some of those projects and highlight pioneering women architects. Each architect is introduced in double-page spreads that include a brief biography, an overview of her philosophy and vision, and stunning photographs of her most significant works. Interviews with several of the architects provide a global perspective on how women are changing the face of the world--including feminist icon, philanthropist, and Nigerian "starchitect" Olajumoke Adenowo; Tatiana Bilbao, who is leading the way in sustainable Mexican architecture; Rossana Hu, who is fighting to preserve Chinese village culture in her rapidly urbanizing country; and Elizabeth Diller, who created the High Line, one of New York City's most beloved public spaces, and helped redesign the city's Museum of Modern Art. This volume offers indisputable and inspiring evidence that the architectural profession is no longer just a man's game.

This volume is a compilation of the outstanding designs and personal insights of twenty three very talented professional designers who just happen to be women. This book lauds the efforts of a population linked by gender, interest and success, without the need to compare them to anyone else. From logos and corporate identity, to packaging, annual reports, posters, and more, over 300 projects are featured. all in full color. Interspersed throughout are excerpts of conversations with each of the designers. Valuable bits of insight and wisdom are revealed, helping us to better appreciate the diverse accomplishments and motivations of these women. This book contains many surprises within the wide range of work this evolution has produced. It is a snapshot that is all the more valuable for having frozen a time when these people were truly some of the best in the business. These women have earned a place in the evolution of graphics and their artwork tells the story beautifully.

The most comprehensive, fully illustrated book on women designers ever published - a celebration of more than 200 women product designers from the early twentieth century to the present day This glorious visual celebration of the most incredible and impactful design ever produced by women designers flips the script on what is historically considered a man's world. Featuring more than 200 designers from more than 50 countries, including icons and trailblazers past and present such as Ray Eames, Eileen Gray, Florence Knoll, Ilse Crawford, Faye Toogood, Nathalie du Pasquier, it records and illuminates the fascinating and overlooked history of women preeminent in the field. With each designer represented by a key product and short text, this fascinating A-Z survey shines a vital spotlight on the most extraordinary objects made by women designers but, more importantly, offers a compelling primer on the best in the field of design demonstrating that design is not - and never has been - a man's world.

"Why do apparently so few women feature in the history of design? Why is it still the case that so few women speak at conferences? Why are previously well-known women 'forgotten'? What effects does the gender debate have on today's everyday working life? Are women judged today solely on the basis of their quality of work? Since professionalization began, female graphic designers have been working actively and successfully, but the artificial synthesis of masculinity and artistic genius has repeatedly prevented women-with few exceptions-to be recognised in 'official' design history. Still today, despite the claim that the gender issue is obsolete in graphic design, only a tiny percentage of active female designers enjoy public acclaim. This opulently illustrated volume finally sets out to fill this gap. It presents the most significant female designers and portrays their paths to professionalization, with numerous short biographies alongside essays, sources and detailed discussions."--Book cover.

This beguiling book asks a set of unusual and fascinating questions--why is early Chinese printing so little acknowledged, despite anticipating Gutenberg by centuries? Why are the religious elements of all early printing overlooked? And why did printing in China not have the immediate obvious impact it did in Europe?   T. H. Barrett, a leading scholar of medieval China, brings us the answers through the intriguing story of Empress Wu (AD 625-705) and the revolution in printing that occurred during her rule. Linking Asian and European history with substantial new research into Chinese sources, Barrett identifies methods of transmitting texts before printing and explains the historical context of seventh-century China. He explores the dynastic reasons behind Empress Wu’s specific interest in printing and the motivating role of her private religious beliefs. He also deduces from eighth- and ninth-century Chinese records an explanation for the lesser impact of the introduction of printing in China than in Europe. As Renaissance Europe was later astonished to learn of China’s achievement, so today’s reader will be fascinated by this engaging perspective on the history of printing and the technological superiority of Empress Wu’s China.  

Jugendstil, that is Germany's distinct engagement with the international Art Nouveau movement, is now firmly engrained in histories of modern art, architecture and design. Recent exhibitions and publications across the world explored Jugendstil's key protagonists and artistic centres to firmly anchor their activities within the trajectories of German modernism. Women, however, continue to be largely absent from these revisionist accounts. Jugendstil Women and the Making of Modern Design argues that women in fact actively participated in the cultural and socio-economic exchanges that generated German design responses to European modernity. By drawing on previously unpublished archival material and a series of original case studies including Elsa Bruckmann's Munich salon, the Photo Studio Elvira and the Debschitz School, the book explores women's important contributions to modern German culture as collectors, consumers, critics, designers, educators, and patrons. This book offers a new interpretation of this vibrant period by considering diverse manifestations of historical female agency that pushed against historically entrenched conventions and gender roles. The book's rigorous approach reshapes Jugendstil historiography by positing women's lived experiences against dominant ideologies that emerged at this precise moment. In short, the book advocates women as an integral part of the emergence, dissemination and reception of Jugendstil and questions the deeply gendered histories of this key period in modern art, architecture and design.

A bold and timely collection that brings feminist theory and critical thinking to life through vital, approachable design methods and practices. Feminist Designer brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design--it is about how we do design and why.

Women and advertising are both globally ubiquitous. Yet advertising remains one of the most unabashedly misogynist, heterosexist, and racist industries. This edited volume of original unpublished chapters is the first ever to offer explicitly feminist views on advertising. Feminists, Feminisms, and Advertising provides feminist analyses of the historical relationships between the advertising industry and the women's movement in the United States. Contributors consider the ways that advertisers encode race, ethnicity, gender, and heteronormativity into advertising practices and messages exported around the world. They further explore the ways that intersectional audiences such as women of color, Latinas, and lesbian and gay audiences decode, reinterpret, resist, and subvert advertising. With this book, the editors and contributors address the present lack of feminist scholarship, research, knowledge, or curriculum in advertising, and begin a more honest dialogue about diversity and intersectional gender in the advertising academy as well as the advertising industry.